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A Blog
Purely personal observations for which no one else has any responsibility
Wednesday, 18 June 2008
Mozart
Mozart's key forms are opera, piano concerto, and chamber music because his key forms and framework are the individual and by extension the intimate.
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Alistair Campbell and Jacques Brel
Obsessional neurotics in music
Norman Lebrecht, YouTube, French chanson
Klemperer's 'Pathetique'
Beethoven's Eroica - Toscanini 1939, Klemperer 1955
Toscanini, Furtwangler and 'Britishness'
Beethoven's Eroica - Bohm 1961
Don Carlo and War and Peace
Philsophical reasons for not liking Joan Sutherlan...
Why Norrington is wrong on Beethoven, Haydn and Br...
Verdi and atheism
Atheism in music
A humiliation of the racists in music
Beethoven's Eroica - Karajan 1962
Dudamel's Mahler 5
Hegel and the authentic instruments movement
An outstanding Verdi Requiem
Germany and Spinoza
Mitropoulos and Shostakovich
Karajan and Shostakovich's 10th symphony
Bernstein and Russian music
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About Me
John Ross
Visiting Professor at Antai College of Economics and Management, Jiao Tong University, Shanghai
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